Openings and closings and in-betweens

For the past few weeks I’ve been quite pre-occupied with preparing to set up the exhibition at Artsdepot, but now that it’s up and the private view has happened I’m slowly getting my life in order again and starting to process all of the other stuff that’s been happening and is happening soon. The opening turned out to be a lot of fun, and despite not knowing that many people in London it was really great to have the support of a few good friends.

Exhibtion at Artsdepot: Images © Sharon Whyte 2010

I was fortunate enough to be in London at the same time as the Roundhouse CircusFest was on, so I was able to make it along to a couple of the events that were being presented by Professor Vanessa Toulmin of the National Fairground Archive at the University of Sheffield. One was a talk on ‘peculiar entertainments’ featuring many of my favourite types of acts from the history of performance (plus some very rare film footage) and the other event I was able to attend was a symposium on the tradition of the ‘showwoman’ which Professor Toulmin had organised along with Marisa Carnesky (currently Performing Arts Fellow at the NFA). The day featured presentations on the personal experiences of showwomen including Sandra Wright, Anna Carter, Carol Gandey, Rose English, Petra Massey, Lucifire and Miss Behave, as well as a performance by Empress Stah which I sadly had to miss so I could go to my own private view. It was a really valuable and rewarding event and provided some interesting insights for my research.

The rest of my time down there, when I wasn’t with friends, was spent wandering around the V&A – amazingly I had never before managed to get as far as the Theatre & Performance section so spent a good portion of my visit there.

Images from the Theatre & Performance section of the Victoria & Albert Museum

So now I’m back home and back at work on the new screenprints. I’ve been making a piece featuring the great Adelaide Herrmann using one of the images that I’ve kindly been given access to by The Magic Circle in order to produce this series on female magicians. It’s one of the most complicated prints I’ve done to date, as it consists of ten layers (I usually only work with between 4 and 6) which are quite intricately intertwined, meaning that technically it’s more of a challenge than previous pieces. I’m loving it so far, and will complete the final layer this week. I’ll also begin work on the third piece in the series this week too – so time to start thinking about getting those proposals in for exhibiting next year.

Some bits of news to finish with…

My current exhibition at Artsdepot finishes on May 30th, after which I’ll be exhibiting A Sage of the Stage for (I think) the final time at Edinburgh Printmakers from July 1st – 20th. I’ll also be showing four pieces in the upcoming Out of the Blue Studio Artists exhibition at the Drill Hall from May 28th – June 10th.

I’ve also started an Edinburgh non-fiction writers group with my friend Gillian of Harlots, Harpies and Harridans which will have its inaugural meeting on May 19th at The Meadow Bar – you can find out all about it at Stranger than Fiction.

Autumn and talented friends

Autumn already, and for me the start of a new project. I always love starting new things in the Autumn – I’m still tuned into the old school year I suppose, so it seems like the right time to be starting something.

Getting this project off the ground should be easy – I’ve been working with the theme (female magicians) for over a year now, doing research for the book I’m writing – but I have to admit it’s off to kind of a slow start. So far I’ve done one test print just to get some ideas going but there’s a enormous amount of preparatory work to be done before I can really make headway. I’m also using this time to re-examine the way I work, as I’m worried I’ve become too set in my ways and that the end result will suffer and not be as good as it could be. One downside of having become so focused over the past couple of years is that I realise I may not be giving myself any room to explore and experiment. I need to address this before much progress can be made.

I’ve been very lucky this year to have made the acquaintance of some great artists and to have been able to spend a bit of time with them just chatting about work and stuff. It makes a huge difference to my outlook be able to do this. Art is so much about communicating but it’s amazing how little of that actually happens in the day to day life of an artist (at least the ones I know!), especially with other artists. I think this is part of the reason why I love printmaking so much – because of the workshop and being around other people making work and getting to see what they’re doing. I love it.

Recently I got to meet up with Roxana Halls again and to see her amazing studio in London. It’s in the disused bar of an old theatre that has been a bingo hall for many years. The room is enormous – it makes my studio look like a store cupboard – and still has the actual wooden bar stretching along one side of it. It’s full of books and all the materials that she works with and lots of wonderful weird things (I got to see some the sets that she built for her series of paintings Tingle Tangle which are basically works of art in their own right). Seeing other people’s studios is such a rare treat, and this one is really quite special. As if that wasn’t enough, another treat that day was to meet Roxana’s friend, the extremely talented Frances Borden. As luck would have it she had some of her work there with her and I had a chance to have a look (I had already seen photos of her work but not first hand) and I thought it was beautiful and genuine; she has such a wonderfully intimate style.

Talking of talented friends, today is a momentous day as the lovely Nova Ren Suma’s book Dani Noir officially comes out in America (available on Amazon and in book shops) and I’m so proud of her as this is her first published novel – although she has ghost written loads of them. I’ve known her for many years and I’m just extremely excited for her, as well as being excited to read it myself when it comes out here.

Cover from Dani Noir by Nova Ren Suma, published by Aladdin / Simon & Schuster

My own work has been released into the wild recently as all fifteen prints from my series A Sage of the Stage, not a Beast in a Cage are currently very far from home, up in Thurso on the northern tip of mainland Scotland as part of a magic themed touring exhibition organised by Highland Council. I wish I could go up there and see the exhibition as I’d love to visit that part of the country but unfortunately I can’t. I will however, go and see it when it makes its way to Inverness in November where the show will be at Inverness Museum and Art Gallery.

As a result of my solo exhibition in Glasgow over the summer, I’m happy to say I now have gallery representation in that lovely city at the Mansfield Park Gallery. It’s a great little gallery representing some excellent artists so I’m very pleased.